Materials used in opening lecture, English 156 S05 (History of Art 152): Victorians in Togas: Classicism and Empire in Victorian Literature and Art
Multiple Victorian Versions of Ancient Rome
- The Republic — the ideal of Freedom (Macaulay)
- The Empire (1) — model for British imperialism (and warning)
- The Empire (2) — Britain as colony
- The Empire (3) — Roman remains — Hardrian's Wall, roads, buldings, and archelogy
- The Empire (4) — Nero, Caligula, and the Roman decadence — a subversive ideal
- The Empire (5) — Apocalypse: the destruction of Pompeii and Herculaneum
- Christian Rome (1) — Early Christianity on Ancient Rome: Saints and Martyrs
- Christian Rome (2) — the fear of Roman Catholicism
The Pre-Raphaelite Brotherhood and Associates
- 1. Hard-edge quasi-photographic realism:
- 2. Hard-edge pictorial realism with Hogarthian symbolism (and satire)
- Ford Madox Brown. Work
- Augustus Egg's Past and Present
- W. Holman Hunt's The Hireling Shepherd
- W. Holman Hunt's The Awakening Conscience
- 3. Hard-edge pictorial realism with Biblical symbolism (typology)
Aesthetic Pre-Raphaelitism — Medievalized Eroticism, Eroticized Medievealism
- Dante Gabriel Rossetti's Paolo and Francesca
- Dante Gabriel Rossetti's Beata Beatrix
- Edward Burne-Jones's The Beguiling of Merlin
- Edward Burne-Jones's The Heart of the Rose
The Classicists (anti-Pre-Raphaelites?)
- Classical Myth — Greek and Roman often via Ovid
- Frederick Lord Leighton's A Pastoral
- Lament for Icarus
- G. F. Watts, Orpheus and Euridice
- The Male and Female Nude
- Frederick Lord Leighton's The Bath of Venus
- Frederick Lord Leighton's The Sluggard
- Sir Lawrence Alma-Tadem's A Sculptor's Model
- Sir Lawrence Alma-Tadem's Tepidarium
- The Heroic Ideal
- Daily Life in Ancient Rome (with lots of Marble)
A Complicating Factor — Pre-Raphaelite Classical Subjects
- A. C. Swinburne's "Hymn to Proserpine"
- Burne-Jones's Pygmalion and Perseus series
- Simeon Solomon's figures from classical myth
Last modified 24 January 2007